Attribution Limits, Platform Incentives, and the Future of Creator Income
Your favourite song may have already trained the AI that will replace its creator. We propose a two-friction taxonomy, tiered attribution framework (A0–A3), and governance that functions despite imperfect attribution: contractible provenance, competitive licensing rails, and clear property rights.
ETL pipelines pull from MusicBrainz, Discogs, AcoustID, and file metadata into normalized records. [7]
Entity resolution links records across sources using identifiers, string similarity, embeddings, and graph analysis. [18, 19]
Attribution engine aggregates evidence, produces conformal prediction sets, and assigns calibrated confidence. [5, 6]
Domain experts provide feedback via structured FeedbackCards. Confidence updates automatically through Bayesian calibration. [8, 20]

Every attribution comes with a calibrated confidence score. When the system says “90% confident,” the data is correct 90% of the time — a provable bound, not a heuristic. [1, 2]
Laypeople use “confidence” and “uncertainty” interchangeably, but they are distinct concepts. Confidence measures how certain a specific prediction is; uncertainty quantifies the range of possible outcomes. [3]
When multiple uncertain estimates combine — ETL extraction, entity resolution, source corroboration — uncertainty must propagate correctly through the pipeline, not be lost at each stage. [4]
Conformal prediction provides distribution-free coverage guarantees: the true value lies within the prediction set with probability 1−α. Combined with selective prediction, the system can abstain when uncertain. [5, 6]

Real-world music metadata is fragmented across MusicBrainz, Discogs, AcoustID, streaming platforms, and file-embedded tags. ETL pipelines normalize these heterogeneous sources into a common schema. [7]
The same artist appears differently across databases — "Imogen Heap," "iMi," "Frou Frou," "I Megaphone." Entity resolution links these fragmented identities into a single resolved entity. [18, 19]
Instead of reviewing all attributions equally, active learning identifies the cases where human expertise adds the most value — low-confidence credits near the decision boundary. [8, 20]

Attribution models degrade over time as metadata conventions change, new sources emerge, and data quality fluctuates. Continuous monitoring detects these shifts before they affect users. [16, 17]
Attribution-by-design embeds provenance at creation rather than computing it retrospectively. Every confidence-affecting event is recorded as an immutable audit entry. [9, 10]
The Model Context Protocol provides machine-readable permission queries for AI training rights. When an AI system wants to use creative data, it must first query the artist’s permission settings. [11, 12]
AI voice cloning can reproduce an artist’s vocal timbre from seconds of audio. This creates identity theft risks that traditional copyright cannot address — you cannot copyright a voice. [14, 15]
Enterprise-grade music attribution requires SOC2 compliance, multi-tenant data isolation, and customer-facing trust centers with real-time transparency on security posture. [21, 22]

Attribution claims are stratified across four assurance levels, mapped to existing industry identifiers (ISRC, ISWC, ISNI). [12, 23, 24, 25]
| Level | Type | Evidence | Identifier |
|---|---|---|---|
| A0 | Self-declared | “I wrote this” | None |
| A1 | Recorded | ISRC assigned | ISRC |
| A2 | Composed | ISRC + ISWC linked | ISWC |
| A3 | Identity-verified | Full provenance chain | ISNI |
ISRC (International Standard Recording Code) identifies a specific audio recording. ISWC (International Standard Musical Work Code) identifies the underlying composition. ISNI (International Standard Name Identifier) identifies the creator themselves. Critical limitation: audio cannot reliably achieve A3 in adversarial settings due to the analogue hole.

Companion code to “Governing Generative Music” by Dr Petteri Teikari (SSRN No. 6109087). Transparent confidence scoring, provenance lineage, and MCP permission infrastructure working together.
The demo uses Imogen Heap's discography as example data — she pioneered music attribution through the Mycelia project in 2015, envisioning a fair-trade music ecosystem. That vision continues today with Auracles.io. Eight works showcase confidence ranging from 0% to 95%.
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